Moi qui parle à moi-même dans le numérique. Auditory Alienation and Liberation for the Intermedial Performer

Sebastian Samur & Richard Windeyer To what extent does vocal modulation both alienate and liberate performers on the intermedial stage? Philip Auslander and Matthew Causey, among a growing number of contemporary theoreticians, have pointed to the « otherness » and « uncanny » experiences of both performers and spectators when confronted with digital doubles. How have artists working with […]