À propos de Sebastian Samur - Richard Windeyer
SEBASTIAN SAMUR : is a performer and doctoral student at the Centre for Drama, Theatre and Performance Studies (University of Toronto). His primary research interest is actor training and its various manifestations. This has led him to train with various companies, including SITI Company, Odin Teatret, Roy Hart Theatre, and, most recently, the Dairakudakan butoh troupe. His MA thesis (completed at the Université du Québec à Montréal) focused on the actor’s appropriation of technology into his/her practice – specifically, incorporating projection through the use of mime and neutral mask techniques. Since then, he has continued his intermedial research, publishing an article on the use of androids in medical simulation at Hôpital Montfort (Ottawa) in Canadian Theatre Review, and with the university’s Digital Dramaturgy Lab, looking at karaoke techniques for teaching intercultural theatre forms, specifically, Jingju (Beijing Opera) performance.
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RICHARD WINDEYER : is a sound artist/designer, practice-based researcher and doctoral student at the Centre for Drama, Theatre and Performance Studies, the Knowledge Media Design Institute and the Digital Dramaturgy Lab (University of Toronto, Canada). His research focuses on sonic interaction design in crossdisciplinary and performative contexts, including performer-technology interactions, binaural immersion, data sonification, auditory displays and generative art practices. Previously, he was an Adjunct Professor in electroacoustic music composition and technology at Wilfrid Laurier University (Waterloo, Canada) and a creative artist/performer with bluemouth inc and Vertical City Performance among others. His body of artistic work is diverse and multifaceted, ranging from site-specific performance, sonic interaction design, soundscape studies, electroacoustic music performance and composition and intermedial software development.
Articles par Sebastian Samur Richard Windeyer:
