Enrico Pitozzi
Textes
The matter of things: the organic dimension of the sound.
A conversation with Scott Gibbons
The sound aspect of the things: a seismography.
Conversation with Robin Rimbaud aka Scanner
Logic of the imperceptible: an immersive experience within matter.
A conversation with Herman Kolgen
Extended perception. Cartography of the practices in contemporary audiovisuals environments
Bodysoundscape: the cognition of a movement
A conversation with Robert Wechsler | Palindrome
Sonographie. Perception et tactilité sur la scène actuelle
The ephemeral dimension of the body: the tactile presences on stage
À la manière des étoiles : une mathématique des corps entre geste et son
Résonances organiques : perception, corporéité, dispositifs audiovisuels
Texture : Le son matière du corps
Le dispositif magnétique : corps, mouvement, son
Conversation avec Cindy Van Acker
Espace stéréoscopique pour corps sonore, un entretien d’Enrico Pitozzi avec Isabelle Choinière
On the edge of perception: the
logic of immersive environments:
A conversation with Thomas McIntosh
Notice biographique
Enrico Pitozzi is a
professor-in-Charge of “ Forms of Multimedia Stage” at the
University of BolognaHe
was visiting professor at the
Université du Québec à
Montréal – UQAM (Canada)
and visiting lecturer de l’Université
Sorbonne Nouvelle – Paris III
(Francia) in the EU program
Teaching Staff Training 2013 and cours director at l’
’Universidad
Internacional Menendez Pelayo de Valencia.
He gives. He gives seminars
and lectures at the
Universidade Federal da Bahia
(Brazil) and
Universidade Federal Rio do Sul do Porto Alegre
(Brazil) as well as the
European Institutions and Universities. He currently
collaborates with the scientific committee of the project
“Performativité
et effets de présence”
directed by Josette Féral
and Louise Poissant at the Université du Québec à Montréal
(UQAM) and the project “Poéticas
Tecnològicas”
directed by Ivani Santana at the
Universidade Federal de Bahia (Brasile) and the multimedia
laboratory «
MeLa research »
at the IUAV University of
Venice.
In 2005 he took part in the
workshop within the
37th International Theatre Festival of Venice
Biennale directed
by Romeo Castellucci and in 2013 at the “Biennale
Danza College”
directed by Virgilio
Sieni. The essays : De la constitution du corps de
synthèse sur la scène performative : perception et
technologies, in R. Bourassa, L. Poissant, (dir.),
Personnage virtuel et corps performatif : effets de
présence, Ste-Foy, Presses de l'Université du Québec,
2013; Topologies des corps, in J.P. Massuet, M.
Grosoli (dir.), La capture de mouvement, ou le
modelage de l’invisible, Rennes, Presses de
l'Université de Rennes, 2014. Magnetica. La
composizione coreografica di Cindy Van Acker / La
composition chorégraphique de Cindy Van Acker / The
choreographic composition of Cindy Van Acker,
Macerata, Quodlibet, 2015. and Bodysoundscape.
Perception, movement and audiovisual in contemporary
dance, in Yael Kaduri (dir.), The Oxford Handbook of
Music, Sound and Image in the Fine Arts, Oxford,
Oxford University Press, (2016).